To commemorate the centennial of the death of Edgar Degas (1834-1917), through Sunday the musée d’Orsay has organized an exhibition that juxtaposes paintings, pastels, and drawings from the Impressionist artist and others with “Degas Danse Dessin,” published in 1936 by the art dealer Ambroise Vollard. Accompanied by 26 hors-textes reproductions of Degas’s graphic work, the luxury edition was written by French poet Paul Valéry (1871-1945). “Degas is one of the rare painters to lend the floor its own importance,” Valéry noted. “He has admirable planks. At times, he views a dancer from high up, and her entire form gets projected on the plane of the plateau, like seeing a crab on a beach.” Edgar Degas (1834-1917), “Dancers,” also known as “Group of Dancers,” between 1884 and 1885. Pastel on paper, 78.3 x 77.2 cm. Paris, Musee d’Orsay, RF 51757. © Musée d’Orsay Dist. RMN- Grand Palais / Patrice Schmidt. Courtesy Service Presse / musée d’Orsay.
To commemorate the centennial of the death of Edgar Degas (1834-1917), through Sunday the musée d’Orsay has organized an exhibition that juxtaposes paintings, pastels, and drawings from the Impressionist artist and others with “Degas Danse Dessin,” published in 1936 by the art dealer Ambroise Vollard. Accompanied by 26 hors-textes reproductions of Degas’s graphic work, the luxury edition was written by French poet Paul Valéry (1871-1945). “For Degas,” wrote Valéry, “an oeuvre was the result of an undefined quantity of studies, and, afterwards, a series of operations. I really believe that he thought that an oeuvre should never be considered ‘finished.'” Edgar Degas (1834-1917), “Dancers walking up a stairway,” between 1886 and 1890. Oil on canvas, 39 x 89.5 cm. Paris, musée d’Orsay, RF 1979. Photo © RMN-Grand Palais (Musée d’Orsay) / Stéphane Maréchalle. Courtesy Service Presse / musée d’Orsay.
Celebrating 20 years as the Internet’s longest-running dance magazine, the Dance Insider is now offering Home page ads with photos starting at just $49 when you sign up by March 1. Contact firstname.lastname@example.org for more information to join Freespace Dance (above), Slippery Rock University Dance (top), and others in sponsoring the Dance Insider, for two decades the leading voice for dancers. Above: Freespace Dance’s Donna Scro Samori and Omni Kitts, photographed by Lois Greenfield.
If there’s one person in dance who is consistent, it’s Battery Dance’s Jonathan Hollander, whose vision, contrary to the myopia which sometimes infects other leaders of the New York dance community, has always been both global and community-oriented in the larger sense. Receiving its premiere Sunday at 7 p.m. at the Museum of Modern Art as part of MoMA’s Doc Fortnight festival, Rob Fruchtman’s 2017 “Moving Stories” follows six dancers from Battery, including ex-Graham fixture Tadej Brdnik, as they travel to India, Romania, Korea, and Iraq to work with at-risk youth, with just one week to prepare a performance. The documentary is preceded by Maris Curran’s “While I Yet Live,” in which five acclaimed African-American quilters from Gee’s Bend, Alabama, discuss love, religion, and the fight for civil rights as they continue the tradition of quilting that brought them together, and followed by a discussion with some of the dancers, who also included Robin Cantrell, Mira Cook, Clement Mensah, Sean Scantlebury and Lydia Tetzlaff. Photo courtesy Rob Fruchtman.
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(Dance Insider Principal Sponsor Ad) The Star-Ledger’s Robert Johnson calls Donna Scro Samori / Freepace Dance “astonishing and wonderfully gratifying.” For information on classes and upcoming performances, including the company’s December 2 appearance at the Montclair Arts Festival, click here. Above: Freespace Dance artistic director Donna Scro Samori and Omni Kitts, as captured by Lois Greenfield. Photo copyright Lois Greenfield. (To advertise your dance program, performance, audition, or product on the Dance Insider, please contact publisher Paul Ben-Itzak at firstname.lastname@example.org . Sponsor ads just $49 when you sign up by November 30, 2017.)
By Maura Nguyen Donohue
Copyright 2006, 2017 Maura Nguyen Donohue
NEW YORK — Dian Dong said that she didn’t think anyone had been paying attention when she and HT Chen were awarded a 2005 special citation from the New York Dance and Performance awards (a.k.a. Bessies) for their outstanding service to the community in NYC and NY State. Thankfully somebody on the Bessies committee had taken notice, and all you dance insiders should follow suit, punch their Mulberry St. Theater address into your hiptop and make it a destination in the future. While you’re at it, bemoan the recent missed opportunity to forge a new pathway, find good eats cheap and fast and get an up close and personal look at Sam Kim’s latest, which ran this past Thursday to Saturday.
To receive the complete article, also including Maura’s take on Eiko & Koma’s “Cambodia Stories: an Offering of Painting and Dance” and her own perspective on collaborating in Cambodia, first published on May 23, 2006, subscribers please contact publisher Paul Ben-Itzak at email@example.com. Not a subscriber? Subscribe to the Dance Insider & Arts Voyager for just $29.95/year ($99 for institutions gets full access for all your teachers, students, dance company members, etc.) by designating your PayPal payment in that amount to firstname.lastname@example.org, or write us at that address to learn how to pay by check. Subscribers receive full access to the DI/AV Archive of 2,000 exclusive reviews by 150 leading critics of performances and art on five continents from 1998 through 2015. You can also purchase a complete copy of the Archives for just $49 (individuals) or $109 (institutions) Contact Paul at email@example.com.