As part of the exhibition Photography’s Last Century: The Ann Tenenbaum and Thomas H. Lee Collection, in principle running through June 28, the Metropolitan Museum of Art in New York, New York, it’s still a helluva town is presenting: Man Ray (American, 1890–1976), “Nude,” ca. 1930. Gelatin silver print. We like the photo because it suggests the inspiration of this painting by Man Ray’s fellow Montparnassian Moshe Kisling. The Metropolitan Museum of Art, promised gift of Ann Tenenbaum and Thomas H. Lee, in celebration of the Museum’s 150th Anniversary. © Man Ray 2015 Trust / Artists Rights Society (ARS), NY / ADAGP, Paris. Image © the Metropolitan Museum of Art, photo by Eugenia Burnett Tinsley and Juan Trujillo.
From the exhibition Eleanor Antin: Time’s Arrow, playing at the Art Institute of Chicago through January 5: Above, Eleanor Antin, “CARVING: 45 Years Later (detail), 2017.” Segment titled “First day of 2017 performance, March 17, 2017, 9:25 a.m., 130.6 pounds.” © Eleanor Antin, courtesy of the artist and Ronald Feldman Gallery, New York. Below, Eleanor Antin, “CARVING: A Traditional Sculpture (detail),” 1972. Segment titled “First day of 1972 performance, July 15, 1972, 8:43 a.m., 125.5 pounds.” Twentieth-Century Discretionary Fund. “It now took forever to lose a single pound,” says Antin, whose putative, pseudo-scientific, and performative goal was to capture her efforts to lose 10 pounds, the first time in a sequential grill of 148 photographs taken over 37 days, the second in 500 shots executed over four months. “I believe that my older body was in a valiant and existential struggle to prevent its transformation into the skeleton beneath the protecting flesh … death.”