Haven’t yet subscribed to the DI? This week you’re missing Parker Herren’s Flash Review of Charles Atlas Presents: The Kitchen Follies, with performances by Dancenoise, Jodi Melnick, and others, and the accompanying retrospective of Atlas’s video work recently presented at the New York theater. This week subscribers also receive, exclusively by e-mail, from the DI’s Archive of more than 2,000 reviews of performances on five continents by more than 150 writers, Angela Jones’s 2004 Flash of Margie Gillis performing at the Joyce Theater, which begins: “Margie Gillis is the reason I dance and choreograph.” And, from the same year, Chris Dohse’s Flash of Tere O’Connor’s “Frozen Mommy,” which, Chris writes, “burns into the mind’s retina like an 8-millimeter film with embarrassing footage from your childhood that sticks in the projector and melts against its bulb, blistering the image to smithereens.” To subscribe to the DI and access both new content and stories from our 20-year archive, for just $39.95/year individuals (students: $19.95 with university ID) or $49.95 institutions, just designate your PayPal payment in that amount to email@example.com, or write us at that address to find out about payment by check or in Euros. (In the latter case, the payments will be directed to our European correspondents.) You can also contact us at that address to find out about limited, well-integrated e-mail and Web site advertising and sponsor options. The Dance Insider is sponsored by Freespace Dance (top) and Slippery Rock University Dance (above).
This week exclusively on the Dance Insider e-mail list: Anne-Charlotte Schoepfer writes about the Conservatoire National Supérieur de Musique et de Danse de Lyon’s Maison de la Danse performances of Stéphane Delatre’s “Her Body is a Cage,” excerpts from William Forsythe’s “The Vile Parody of Address,” and (above), conservatory director Davy Brun’s “LAK.” DI subscribers receive the entire review in French and in English, plus art. Not yet a DI subscriber? To subscribe to the DI and access both this new content and 2,000 archived stories by 150 writers covering 20 years of performances and art on five continents, plus five years of the Jill Johnston Letter, for just $39.95/year individuals or $69.95 institutions, just designate your PayPal payment in that amount to firstname.lastname@example.org, or write us at that address to find out about payment by check or in Euros. (In the latter case, the payments will be directed to our European correspondents.) You can also contact us at that address to find out about limited, well-integrated e-mail advertising options. Sarah Lowicki photograph courtesy CNSMD.
Returning to its roots as a Direct E-mail List — as the most effective, efficient way to serve our subscribers, writers, advertisers, and readers — the DI will heretofore make all new content, as well as reprints from our 20-year archive of more than 2,000 exclusive reviews by 150 writers of performances on five continents, plus news, commentary, art, and the Jill Johnston Archive, available strictly by e-mail. To subscribe to the DI and access both this new content and archived stories, for just $29.95/year individuals or $49.95 institutions, just designate your PayPal payment in that amount to email@example.com, or write us at that address to find out about payment by check or in Euros. (In the latter case, the payments will be directed to our European correspondents.) You can also contact us at that address to find out about limited, well-integrated e-mail advertising options.
Celebrating 20 years as the Internet’s longest-running arts magazine, the Dance Insider & Arts Voyager is now offering Home page ads with photos starting at just $49/month when you sign up by April 2. Contact firstname.lastname@example.org for more information to join Freespace Dance (top), Slippery Rock University Dance (above), and others in sponsoring the Dance Insider & Arts Voyager, for two decades the leading voice for artists.
(Dance Insider Principal Sponsor Ad) The Star-Ledger’s Robert Johnson calls Donna Scro Samori / Freepace Dance “astonishing and wonderfully gratifying.” For info on classes and upcoming performances, click here. Above: Freespace Dance artistic director Donna Scro Samori and Omni Kitts, as captured by Lois Greenfield. Photo copyright Lois Greenfield. (To advertise your dance program, performance, audition, or product on the Dance Insider, please contact publisher Paul Ben-Itzak at email@example.com . Subscribe to the DI by Friday, December 8 for just $29.95/year, and receive a free one-month Home page ad.)
By Jordan Winer
Copyright 2000, 2017 Jordan Winer
SAN FRANCISCO — Two women take turns performing solos on a vast stage bathed in burnt sienna and ocher light. One sits and watches the other with full, rapt attention. As we in the audience watch the smile of the watcher, as well as the serpentine prowling of the soloist, all to the haunting strains of master oud player Hamza El Din, we are exactly where the title of the dance would have us be: Ecstasy. And this is only one part of one of the longer pieces, “Tarab,” the only non-premiere in a mostly satisfying program of Alonzo King’s Lines Contemporary Ballet which opened Friday at Yerba Buena. The crown jewel of “Tarab” is the brilliant Wedding Dance. As El Din played and sang, his sensual reedy voice filling the vast theater as soothingly as bathwater, pairs of women and pairs of men crossed back and forth striking snaky, Egyptian poses that contorted through every joint in their body. It was a pure and wonderful piece, the marriage couple ending the dance in mock fatigue, jostling together in reckless joy.
To receive the complete article, first published on April 9, 2000, subscribers please contact publisher Paul Ben-Itzak at firstname.lastname@example.org. Not a subscriber? Subscribe to the DI for just $29.95/year ($99 for institutions gets full access for all your teachers, students, dance company members, etc.) by designating your PayPal payment in that amount to email@example.com, or write us at that address to learn how to pay by check. Subscribers receive full access to the DI Archive of 2,000 exclusive reviews by 150 leading dance critics of performances on five continents from 1998 through 2015. You can also purchase a complete copy of the Archives for just $49 (individuals) or $109 (institutions) Contact Paul at firstname.lastname@example.org . Lines Ballet performs Alonzo King’s “Biophony” and “Sand” December 13-22 at the Maison de la Danse in Lyon.
Somatic Aerial Dance Classes: Julie Ludwick of Fly-by-Night Dance Theater offers a mindful approach to Aerial Dance, blending Improvisation and Skinner Releasing Technique. Emphasis is on alignment to prevent injury and on enhancing creativity. No aerial experience is necessary. Classes are held in Williamsburg, Brooklyn, and have been featured in Paper Magazine and Time Out NY. Julie Ludwick was the subject of a special documentary from AfterEd TV, as an outstanding alumna of Teachers College at Columbia University. Click here for class schedule and more information; and here to see a class video. (Got a class or school to advertise? Contact email@example.com.)