Word up!: Macron names renowned publisher new French culture minister

PARIS — From a minister of culture during the precedent administration who famously admitted that she didn’t have time to read books, newly inaugurated president Emmanuel Macron and his freshly-minted prime minister Edouard Philippe, both famous readers and promoters of literature, today took a major step in recuperating the image of a portfolio for years honored by Andre Malraux by naming as the country’s minister of culture and communications Françoise Nyssen, long-time director of Arles-based Actes Sud, one of the crème de la crème of French publishers. Together with Macron’s campaign promise to increase library hours at night and on the week-ends, and Philippe’s record as mayor of Havre in sending bookmobiles around the coastal city, the appointment of Nyssen, who also founded a school focused on listening to the child after the suicide of one of her own children, augurs well.

Europe at the Crossroads: Choreographers & Artists Converge on Paris — help the DI be there

For subscription and sponsorship opportunities starting at $30, contact Paul Ben-Itzak at paulbenitzak@gmail.com.

Berlin’s Constanza Macras, Portugal’s Vera Mantero, Belgium’s Alain Platel, Spain’s Israel Galvan, Crystal Pite — these are just a few of the choreographic giants coming to Paris this Spring that the Dance Insider & Arts Voyager will be able to cover with your support.

Many of you first read about these internationally renowned choreographers for the first time on the DI and, continuing our 20-year mission of bringing you stories not told elsewhere and giving a voice to dancers, we’ll also be reporting on Giulio D’Anna, a Netherlands-based Italian choreographer whose “OOOOOOO” is inspired by Zagreb’s “Museum of Broken Relationships,” and Jasna Vinovrski’s “Lady Justice,” addressing the relationship between justice and art. Speaking of art, we’d also like to bring you Yasmina Reza’s “Art” as interpreted at the Theatre de la Bastille by the pioneering Belgium theater company STAN — co-founded by Anne Teresa de Keersmaeker’s sister. And of intersections between art and society, this year’s Chantiers (Building Projects) d’Europe festival at the Theatre de la Ville features countries in the front lines of the refugee crisis, notably in six short films from Greece addressing this topic and a public brainstorming session with artists from six countries. And we’ll bring you into the studios of the 200+ artists taking part in the Open Studios of Belleville — a neighborhood which in its very MULTI-CULTURAL contours and dimensions provides the best retort to the cloistered vision of French culture represented by the National Front. (We share the FN’s stated pride in traditional French culture; we simply argue that this definition is too limited and does not do justice to the grandeur and ouverture to the world that has always been French culture.)

To be there, in addition to the support of our current subscribers and sponsors, whom we thank infinitely, we need bring in at least $1500 from new subscribers and sponsors. This will be used to help cover housing and transportation. (An American colleague in Paris has offered us a special price on lodging.)

Already a subscriber or sponsor? Please forward this article. Want to become one? Contact us at paulbenitzak@gmail.com . Subscribers receive full access to our 20-year archive of more than 2,000 reviews by 150 leading dancer-critics of performances on five continents, plus five years of the Jill Johnston Letter as well as Arts Voyager art galleries, film reviews, and travelogues from Paris, New York, and across the U.S.. Sponsors receive this plus advertising on The Dance Insider, and/or the Arts Voyager.

(If we do not raise enough to return to Paris this Spring / Summer, all new donors, subscribers, and sponsors will be given the option of recuperating their pledge or having it applied to current and/or future coverage, including our ongoing project to put the entire DI 20-year archive online.)

On a personal-professional level, your support will also help me make my own career transition as a French-to-English translator, making it possible for me to participate in a translators’ festival taking place in Paris this June, essential for my being able to continue to pursue 40 years of building bridges between nations in a new form. And to access essential health-care (‘access’ because the costs for this will be paid for by myself with help from my family).

France, too, is at the crossroads. On May 7 — my 56th birthday — the country will choose between the fear represented by the National Front and the hope and optimism represented by Emmanuel Macron. Between closure and opening. In the campaign between these two ‘cultures’ that has raged in this country for the past two years, CULTURE has been all but forgotten. (Among Macron’s refreshing ideas: More library hours.) With your help, we will be able to do our part in restoring some light to what has always been France’s principal calling card around the world. Our calling for more than 20 years.

Many thanks and
Cheers,

Paul
paulbenitzak@gmail.com