Returning to its roots as a Direct E-mail List — as the most effective, efficient way to serve our subscribers, writers, advertisers, and readers — the DI will heretofore make all new content, as well as reprints from our 20-year archive of more than 2,000 exclusive reviews by 150 writers of performances on five continents, plus news, commentary, art, and the Jill Johnston Archive, available strictly by e-mail. To subscribe to the DI and access both this new content and archived stories, for just $29.95/year individuals or $49.95 institutions, just designate your PayPal payment in that amount to firstname.lastname@example.org, or write us at that address to find out about payment by check or in Euros. (In the latter case, the payments will be directed to our European correspondents.) You can also contact us at that address to find out about limited, well-integrated e-mail advertising options.
All grown up now: Carmen and Angel Corella face off in Maria Pages’s “Solea” with Corella Ballet. Photo courtesy Corella Ballet.
By Chris Dohse
Copyright 2011, 2017 Chris Dohse
CHARLESTON, South Carolina — The first thing you notice here is that everyone in South Carolina is very moist.
I brought a sinus/chest congestion and fever with me from the North (click here for my first Charleston Diary) that has been keeping me glued to an alternately sweat-soaked and freezing mattress in my friend Neil’s “Crisp Lettuce”-colored spare bedroom when not being driven to and from chilled theaters in his car through what feels like a wall of wet socks. My newly amphibian body reacts to changes in temperature and humidity now like a barometer made of meat.
From these first febrile days and nights (nine performances in four days), the somewhat eccentric female characters have made the strongest impressions, as you might expect from any trip to the deep South, the landscape of Tennessee Williams and Truman Capote. Here are five of them.
To receive the rest of the article, first published on June 3, 2011, subscribers can contact publisher Paul Ben-Itzak at email@example.com. Not a subscriber? Subscribe to the Dance Insider for just $29.95/year ($99 for institutions gets full access for all your teachers, students, dance company members, etc.) and receive full access to our Archive of 2,000 exclusive reviews by 150 leading critics of performances on five continents from 1998 through 2015. Just designate your PayPal payment in that amount to firstname.lastname@example.org, or write us at that address to learn how to pay by check or in Euros. You can also purchase a complete copy of the Archives for just $49 (individuals) or $129 (institutions) Purchase before March 1, 2017 and receive a second, free copy for the recipient of your choice. Contact Paul at email@example.com .