The DI, Year 1: Eiko & Koma at the American Dance Festival — ‘When Nights Were Dark’

By Byron Woods
Copyright 2000, 2017 Byron Woods

DURHAM, NC — Lyrical, mythic, elusive, and sidereal — let those potent adjectives start the description of “When Nights Were Dark,” Eiko and Koma’s fantastic evening-length work whose expanded version premiered at Durham’s American Dance Festival this week. In this new book of slow and subtle changes, the duo took a mostly willing audience into a different time zone, as usual.

To receive an e-mailed copy of the complete article, first published on June 23, 2000, subscribers please contact publisher Paul Ben-Itzak at paulbenitzak@gmail.com. Not a subscriber? Subscribe to the Dance Insider for just $29.95/year ($99 for institutions gets full access for all your teachers, students, dance company members, etc.) and receive full access to our Dance Insider Archive of 2,000 exclusive reviews by 150 leading dance critics of performances on five continents from 1999 through 2015. Just designate your PayPal payment in that amount to paulbenitzak@gmail.com , or write us at that address to find out about payment by check or in Euros. You can also purchase a complete copy of the Archives for just $49 (individuals) or $99 (institutions) Contact Paul at paulbenitzak@gmail.com .

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The DI, Year 1: The Nightclub of his Imagination — Butoh Painting with Kasai

By Asimina Chremos
Copyright 2000, 2017 Asimina Chremos

CHICAGO — I have just returned home from witnessing 57-year-old Butoh artist Akira Kasai, making his Chicago debut at the Dance Center of Columbia College, perform in the nightclub of his imagination. For his piece “Tinctura-2,” the floor of the large black performance space/existential disco was marked with dotted lines of glow tape, sending the eye out and away like a 10-laned highway in space. The lines narrowed towards the back of the space, a simple trick of perspective that added a surprisingly effective illusion of depth. Dressed in black pants, tight black cap, and sleeved tee-shirt, with bleached blond hair and sinewy arms, Kasai reminded me of a Japanese version of Iggy Pop.

To get the rest of the article, first published on March 18, 2000, subscribers please contact publisher Paul Ben-Itzak at paulbenitzak@gmail.com. Not a subscriber? Subscribe to the Dance Insider for just $29.95/year ($99 for institutions gets full access for all your teachers, students, dance company members, etc.) and receive full access to our Dance Insider Archive of 2,000 exclusive reviews by 150 leading dance critics of performances on five continents from 1998 through 2015. Just designate your PayPal payment in that amount to paulbenitzak@gmail.com , or write us at that address to find out about payment by check. You can also purchase a complete copy of the Archives for just $49 (individuals) or $99 (institutions) Contact Paul at paulbenitzak@gmail.com .