Returning to its roots as a Direct E-mail List — as the most effective, efficient way to serve our subscribers, writers, advertisers, and readers — the DI will heretofore make all new content, as well as reprints from our 20-year archive of more than 2,000 exclusive reviews by 150 writers of performances on five continents, plus news, commentary, art, and the Jill Johnston Archive, available strictly by e-mail. To subscribe to the DI and access both this new content and archived stories, for just $29.95/year individuals or $49.95 institutions, just designate your PayPal payment in that amount to email@example.com, or write us at that address to find out about payment by check or in Euros. (In the latter case, the payments will be directed to our European correspondents.) You can also contact us at that address to find out about limited, well-integrated e-mail advertising options.
By Renee E. D’Aoust
Copyright 2006, 2018 Renee E. D’Aoust
Founded in 1998 by a collective of professional dance artists and journalists to build the dance audience, tell stories not told elsewhere, and give a voice to dancers, the DI is celebrating its 20th anniversary. See below for information on accessing our archive of 2,000 reviews of performances and art from around the world by 150 leading dance critics.
CHICAGO — In the opening video montage of Bodies that Dance, a program seen April 21 at the Duncan YMCA’s Chernin Center for the Performing Arts, Alana Wallace poignantly recalls how much she wanted to dance as a kid. A picture of a young child flashes on the screen, and Wallace says, “This is the girl who could walk.” That was before polio and before she required a wheelchair for mobility. As the picture fades, Wallace says, “I never thought the world of dance could include me — or anyone with a disability.” The video ends, the curtains part, and there is Wallace in her wheelchair, a huge smile on her face, wheeling onto the stage.
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