A scene from Javier De Frutos’s new “The Most Incredible Thing,” with an original score by the Pet Shop Boys. Gavin Evans photo courtesy Sadler’s Wells.
By Josephine Leask
Copyright 2011, 2017 Josephine Leask
LONDON — “The Most Incredible Thing,” seen in its premiere earlier this Spring at Sadler’s Wells, was a big event in the city’s dance calendar, attracting more anticipatory press coverage than any other dance happening since the local screening of “The Black Swan.” Pop stars, an infamous choreographer, a fairy-tale, phenomenal dancers and extravagant designs were some of its winning ingredients. Set to an evening-length score by the pop duo the Pet Shop Boys, Neil Tennant and Chris Lowe, who were inspired to make a work based on Hans Christian Andersen’s story of the same name, “The Most Incredible Thing” centers on nothing less than the power of art to stand up to human destruction.
Tennant and Lowe’s composition is based on their distinctive electronic dance music, here performed by a full orchestra, the Royal Ballet Sinfonia. Direction and choreography is by Javier de Frutos, an inspired choice by ‘The Boys’ and a marriage made it heaven — at least so it appeared from the strength of the collaboration. De Frutos has made a welcome comeback to Sadler’s Wells after having been reviled by some dance critics and spectators for his controversial piece “Eternal Damnation to Sancho and Sanchez,” performed as part of “In the Spirit of Diaghilev” at Sadler’s Wells in October 2009. That work, a response to the inventive and flamboyant scenarios and designs of Jean Cocteau, depicted a fictional pope who raped and molested alter boys and raped a pregnant nun. While it was not the first De Frutos work to feature sex and violence, it was so intentionally over the top that while some spectators and critics took offense, others raved about it. However, de Frutos received death threats and a lot of negative press, the final rejection coming from the BBC, which cancelled plans to broadcast de Frutos’s work during Christmas on a program with three other choreographers.
To receive the rest of the article, first published on June 2, 2011, subscribers can contact publisher Paul Ben-Itzak at email@example.com. Not a subscriber? Subscribe to the Dance Insider for just $29.95/year ($99 for institutions gets full access for all your teachers, students, dance company members, etc.) and receive full access to our Archive of 2,000 exclusive reviews by 150 leading critics of performances on five continents from 1998 through 2015. Just designate your PayPal payment in that amount to firstname.lastname@example.org, or write us at that address to learn how to pay by check or in Euros. You can also purchase a complete copy of the Archives for just $49 (individuals) or $129 (institutions) Purchase before February 14, 2017 and receive a second, free copy for the recipient of your choice. Contact Paul at email@example.com .