By Dance Insider Staff
Copyright 2017 The Dance Insider
NEW YORK — Following President Donald Trump’s equating Nazi sympathizers and white supremacists with those who protested their armed presence Saturday in Charlottesville, Virginia — where 20-year-old James Alex Fields, Jr. has been charged with second-degree manslaughter after allegedly ramming his car into a crowd protesting the White Supremacists, killing 32-year-old paralegal and activist Heather Heyer and wounding 34 others — dance legend Carmen de Lavallade said Thursday she will not be attending the White House reception following her receiving the Kennedy Center Honors Award next December.
“I am truly honored to receive the Kennedy Center Honors Award and look forward to attending the ceremony at the Kennedy Center,” de Lavallade announced. “In light of the socially divisive and morally caustic narrative that our existing leadership is choosing to engage in, and in keeping with the principles that I and so many others have fought for, I will be declining the invitation to attend the reception at the White House.”
On Tuesday, the president told reporters outside Trump Tower, revising an earlier White House statement about Saturday’s attack which condemned the White Supremacists, “I think there is blame on both sides” who took part in the demonstrations. “You had a group on one side that was bad. You had a group on the other side that was also very violent. Nobody wants to say that. I’ll say it right now.” Yesterday, referring to the city of Charlottesville’s decision to remove a statue of Confederate general Robert E. Lee which was the pretext for the extremists’ descending on the Virginia city, Trump added, “Sad to see the history and culture of our great country being ripped apart with the removal of our beautiful statues and monuments.”
In addition to Ms. Heyer, two state troopers were also killed when their helicopter crashed while they were en route to the demonstration.
By Donald McKayle & Francis Mason
Copyright 2006 Donald McKayle & Francis Mason
First published on the Dance Insider on May 23, 2006, on the occasion of Katherine Dunham’s death. From the DI Archives of 2,000 exclusive reviews by 150 leading dance critics of performances on five continents from 1998 through 2016, plus five years of the Jill Johnston Letter and trail-blazing reporting and commentary on the leading dance news of the era. Want more? You can purchase a complete copy of the Archives for just $49 (individuals) or $99 (institutions) Purchase by March 22, 2017 and receive a second, free copy for the recipient of your choice. Contact Paul at firstname.lastname@example.org .
As a young teen growing up in New York City, I first came across Katherine Dunham while walking through the Broadway theater district perusing the posters and billboards of attractions at the various theaters. At the Belasco I was captured by the picture of a striking woman dancing in a gossamer dress. Katherine Dunham and her troupe of dancers, musicians, and singers were performing in Bal Negre. I purchased a balcony seat for $4.80 and went up to see a performance that would change my life and mark the beginning of my career in dance. Over the past ten years we have met and discussed several projects. Miss Dunham was a powerful force and I will always be indebted to her brilliance as an artist, a scholar, and an humanitarian. — Donald McKayle
I shall never forget Katherine Dunham in “Cabin in the Sky,” the musical Balanchine staged in New York in 1940. The devilish stunning Dunham and her dancing alongside the holier-than-thou radiance of Ethel Waters set the world on fire. When I interviewed her in 1990 with Dawn Lille for my book “I Remember Balanchine,” Dunham recalled how Balanchine came to Chicago to see her and her girls and invited them to come to New York to be in the musical. She recalled how she worked with Balanchine, how he loved her girls and how at the try-out in Boston she was censored for her bare navel in the Egyptian ballet. Her husband put a yellow diamond in her navel and the show went on. Dunham also recalled that after the show opened in New York Balanchine and the composer of “Cabin in the Sky,” Vernon Duke, used to come to her place all the time. Once they brought Stravinsky. Balanchine persuaded Stravinsky to compose a tango for her, which he did. He autographed it. “I’ve never done it,” she said, “I keep thinking I must find it. I don’t think anyone has done it.” — Francis Mason