Back to the Future: How to access stories on the Dance Insider & Arts Voyager

Returning to its roots as a Direct E-mail List — as the most effective, efficient way to serve our subscribers, writers, advertisers, and readers — the DI will heretofore make all new content, as well as reprints from our 20-year archive of more than 2,000 exclusive reviews by 150 writers of performances on five continents, plus news, commentary, art, and the Jill Johnston Archive, available strictly by e-mail. To subscribe to the DI and access both this new content and archived stories, for just $29.95/year individuals or $49.95 institutions, just designate your PayPal payment in that amount to paulbenitzak@gmail.com, or write us at that address to find out about payment by check or in Euros. (In the latter case, the payments will be directed to our European correspondents.) You can also contact us at that address to find out about limited, well-integrated e-mail advertising options.

Trisha & Steve, together again @ MoMA

moma judson 2018 smallRunning September 16 through February 3, 2019 at the Museum of Modern Art, Judson Dance Theater: The Work Is Never Done posits the ongoing importance of the legacy of Judson Dance Theater, beginning with the workshops led by Anna Halprin, Robert Ellis Dunn, and James Waring and extending to the influence of other downtown figures including Simone Forti and Andy Warhol, as well as the Judson Gallery and the Living Theater. Through performances and some 300 objects including film, photography, sculpture, music, poetry, and architectural drawings, the exhibition celebrates Judson’s multidisciplinary and collaborative ethos as well as the range of its integers, including, above, the late Trisha Brown and Steve Paxton as captured by Peter Moore performing Brown’s “Trillium, Concert of Dance #4” on January 30, 1963. Photo ©Barbara Moore / licensed by VAGA, New York, NY. Courtesy Paula Cooper, New York.

David Gordon’s Pure Dance: No Cynicism or Pedestrian Movement Around Here

By Susan Yung
Copyright 2001, 2017 Susan Yung

NEW YORK — It is a nearly inconceivable truth that David Gordon has been making dances for about 40 years. The truly amazing thing is that his recent premieres, as seen at Danspace Project at St. Mark’s Church Friday, are fresh by any standard, without resorting to shock tactics or cynicism. And if you expect choreography by Gordon, a charter member of the Judson Church movement, to be banal and pedestrian, you’d be wrong. It is visceral, technically challenging, immensely pleasing dance/theater executed by performers equal to the task….

To receive the complete article, first published on January 8, 2001, subscribers please contact publisher Paul Ben-Itzak at paulbenitzak@gmail.com. Not a subscriber? Subscribe to the DI for just $29.95/year ($99 for institutions gets full access for all your teachers, students, dance company members, etc.) by designating your PayPal payment in that amount to paulbenitzak@gmail.com, or write us at that address to learn how to pay by check. Subscribers receive full access to the DI Archive of 2,000 exclusive reviews by 150 leading dance critics of performances on five continents from 1998 through 2015. You can also purchase a complete copy of the Archives for just $49 (individuals) or $129 (institutions); $99 when you order before October 15.  Contact Paul at paulbenitzak@@gmail.com .