Everything you always wanted to know about dance & sex but were afraid to ask, 1: The 58 Group Sizzles at HotHouse

By Asimina Chremos
Copyright 2000, 2019 Asimina Chremos

(To receive the complete article, first published on May 19, 2000, subscribers please e-mail paulbenitzak@gmail.com. Not a subscriber? Subscribe to the DI for one year for just $36/year or $21 or Euros for students, as attested to by a copy of your student I.D., by designating your PayPal payment in that amount to paulbenitzak@gmail.com, or write us at that address to learn how to pay by check, and receive full access to all new articles plus our 20-year archive of 2000 reviews by 150 critics of performances and art exhibits on five continents.)

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Everything you always wanted to know about Dance & Sex but were afraid to ask, 2: Corpus Displayum — A Dialogue on the Power of Sex in Dance

By & copyright 2000, 2019 Asimina Chremos
& Paul Ben-Itzak

(To receive the complete article, first published on May 25, 2000, subscribers please e-mail paulbenitzak@gmail.com. Not a subscriber? Subscribe to the DI for one year for just $36/year or $21 or Euros for students, as attested to by a copy of your student I.D., by designating your PayPal payment in that amount to paulbenitzak@gmail.com, or write us at that address to learn how to pay by check, and receive full access to all new articles plus our 20-year archive of 2000 reviews by 150 critics of performances and art exhibits on five continents.)

The DI, Year 1: The Nightclub of his Imagination — Butoh Painting with Kasai

By Asimina Chremos
Copyright 2000, 2017 Asimina Chremos

CHICAGO — I have just returned home from witnessing 57-year-old Butoh artist Akira Kasai, making his Chicago debut at the Dance Center of Columbia College, perform in the nightclub of his imagination. For his piece “Tinctura-2,” the floor of the large black performance space/existential disco was marked with dotted lines of glow tape, sending the eye out and away like a 10-laned highway in space. The lines narrowed towards the back of the space, a simple trick of perspective that added a surprisingly effective illusion of depth. Dressed in black pants, tight black cap, and sleeved tee-shirt, with bleached blond hair and sinewy arms, Kasai reminded me of a Japanese version of Iggy Pop.

To get the rest of the article, first published on March 18, 2000, subscribers please contact publisher Paul Ben-Itzak at paulbenitzak@gmail.com. Not a subscriber? Subscribe to the Dance Insider for just $29.95/year ($99 for institutions gets full access for all your teachers, students, dance company members, etc.) and receive full access to our Dance Insider Archive of 2,000 exclusive reviews by 150 leading dance critics of performances on five continents from 1998 through 2015. Just designate your PayPal payment in that amount to paulbenitzak@gmail.com , or write us at that address to find out about payment by check. You can also purchase a complete copy of the Archives for just $49 (individuals) or $99 (institutions) Contact Paul at paulbenitzak@gmail.com .