The DI, Year 1: Conspicuous by their Absence — Blacks’ Lack in Ballet Matters

By Paul Ben-Itzak
Copyright 2000, 2017 Paul Ben-Itzak

NEW YORK — The other day at the Children of Uganda performance, I saw something that I rarely see at the ballet: Black people. Not just on stage, but in the audience. Actually, the two are related. I believe the reason I rarely see black people at the ballet (with the exception of Dance Theatre of Harlem) is that there are so very few — and in the case of American Ballet Theatre, no — black people on stage. This is not meant to infer that black people just want to see black performers. Rather, when a company, such as ABT, is so lilly white, the message is that this is not a black-friendly environment. So it was refreshing Monday night to go to an event that indicates that another company, Pittsburgh Ballet Theater, is not just welcoming blacks into its house, but going to their house.

To receive the rest of the article, first published on March 7, 2000, subscribers can contact publisher Paul Ben-Itzak at paulbenitzak@gmail.com. Not a subscriber? Subscribe to the DI for just $29.95/year ($99 for institutions gets full access for all your teachers, students, dance company members, etc.) and receive full access to our Archive of 2,000 exclusive reviews by 150 leading critics of performances on five continents from 1998 through 2015. Just designate your PayPal payment in that amount to paulbenitzak@gmail.com, or write us at that address to learn how to pay by check or in Euros. You can also purchase a complete copy of the Archives for just $49 (individuals) or $109 (institutions) Purchase before May 7, 2017 and receive a second, free copy for the recipient of your choice. Contact Paul at paulbenitzak@gmail.com .

Advertisements