Top: John Stewart (1919-2017), “Ali’s Fist — Chicago,” 1977. Silver gelatin print mounted on dibond, 49.21 x 49.21 inches. From an edition of five. Signed with certificate of authenticity on verso. Artcurial pre-sale estimate: 18,000 – 25,000 Euros. Bottom: Gao Brothers (Zhen and Qiang Gao), “Goodbye Tiananmen,” 2007. Chromogenic proof, 31.5 x 39.3 (image) and 33.4 x 41.3 (sheet) inches. From an edition of 10 examples. Signed, dated, and numbered in the lower margin at left. Pre-sale estimate: 2,500 – 3,500 Euros. Images copyright and courtesy Artcurial.
By Paul Ben-Itzak
Text copyright 2017 Paul Ben-Itzak
At a time when pictures on auction are more likely to be worth (or at least valued at) thousands of dollars than a thousand words, tonight’s sale at Artcurial in Paris, Eye Feel Photographie, goes against the grain by priming meaning over money, with work at pre-sale estimates that are (relatively) modest and messages that are huge, even as current contexts make many of them troubling, particularly a Helmet Newton nude with sado-masochist and blatantly misogynist overtones and a Michel Comte nude of former French first lady Carla Bruni taken for a 1993 safe sex campaign, but also a Dennis Hopper photograph of the 1965 Civil Rights march from Selma to Montgomery.
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