Soo Youn Cho and Alfonso Martin in Tulsa Ballet’s production of William Forsythe’s “In the Middle, Somewhat Elevated.” Photo copyright Rosalie O’Connor.
Copyright 2010, 2017 Alicia Chesser
TULSA — For the past 15 years, Tulsa Ballet artistic director Marcello Angelini has been leading his company to this moment, when it could not only obtain the rights to perform works like William Forsythe’s “In the Middle, Somewhat Elevated” and Jiri Kylian’s “Sechs Tanze,” but actually perform them with the skill, stamina, and artistic maturity they require.
It feels like a turning point.
To receive the rest of the article, first published on December 18, 2010, including more photos + a bonus story by Tulsa Ballet artistic director Marcello Angelini written exclusively for the Dance Insider, subscribers please contact publisher Paul Ben-Itzak at firstname.lastname@example.org. Not a subscriber? Subscribe to the Dance Insider for just $29.95/year and receive full access to our Dance Insider Archive of 2,000 exclusive reviews by 150 leading dance critics of performances on five continents from 1998 through 2015. Just designate your PayPal payment to email@example.com, or write us at that address to find out about payment by check or in Euros. Just want this story? Donate $5 through PayPal to firstname.lastname@example.org then send an e-mail to that address with “Tulsa” in the subject line.