Don’t miss out on expanded subscriber-exclusive coverage of dance, theater, film, literature, and art from around the world as presented on the most luminous stage in the world: Paris. To subscribe, for just $36 or Euros/year ($21 or Euros working artists & writers, teachers, and students), just desginate your payment through PayPal (in Euros or dollars) to email@example.com , or write us at that address to learn how to pay by check. Meanwhile, back in Gotham: Don’t miss DI Co-Principal Sponsor Freespace Dance (above) performing at the Booking Dance Festival NYC APAP Showcase, Saturday, January 5, 5:30 – 10:30 p.m. at Jazz at Lincoln Center.
By Philip W. Sandstrom
Copyright 2008, 2018 Philip W. Sandstrom
(First published on November 13, 2008, For the full review, subscribers please e-mail firstname.lastname@example.org . Not a subscriber? Subscribe today for just $36/year, $21 for students. To subscribe, just designate your payment through PayPal to email@example.com , or write us at that address to learn how to subscribe by check.)
By Chris Dohse
Copyright 2003, 2018 Chris Dohse
(To receive the complete article, first published on April 18, 2003, subscribers please e-mail firstname.lastname@example.org. Not a subscriber? Subscribe to the DI for one year for just $36/year or $21 or Euros for students, as attested to by a copy of your student I.D., by designating your PayPal payment in that amount to email@example.com, or write us at that address to learn how to pay by check, and receive full access to all new articles plus our 20-year archive of 2000 reviews by 150 critics of performances and art exhibits on five continents.
Returning to its roots as a Direct E-mail List — as the most effective, efficient way to serve our subscribers, writers, advertisers, and readers — the DI will heretofore make all new content, as well as reprints from our 20-year archive of more than 2,000 exclusive reviews by 150 writers of performances on five continents, plus news, commentary, art, and the Jill Johnston Archive, available strictly by e-mail. To subscribe to the DI and access both this new content and archived stories, for just $29.95/year individuals or $49.95 institutions, just designate your PayPal payment in that amount to firstname.lastname@example.org, or write us at that address to find out about payment by check or in Euros. (In the latter case, the payments will be directed to our European correspondents.) You can also contact us at that address to find out about limited, well-integrated e-mail advertising options.
In the fall of 1966, “The Chelsea Girls,” Andy Warhol’s double-screen endeavor, began its journey from downtown marvel to uptown hit. To celebrate the new book “Andy Warhol’s The Chelsea Girls” and the ongoing Warhol film digitalization project, the Warhol Museum and the Museum of Modern Art are presenting the premiere of a new high-quality digital scan of the film. Running May 4 through May 13 at MoMa, the Chelsea Girls Exploded also features related films and never-before-seen material shot by Warhol to create his epic of the New York underground scene. Above: Andy Warhol, “Afternoon,” 1966. Pictured: Donald Lyons, Dorothy Dean, Edie Sedgwick, Ondine, Arthur Loeb. [MOM 15170 frame-055327] Copyright 2018 the Andy Warhol Museum, Pittsburgh, PA, a museum of the Carnegie Institute. All rights reserved. Film still courtesy the Andy Warhol Museum.
Celebrating 20 years as the Internet’s longest-running arts magazine, the Dance Insider & Arts Voyager is now offering Home page ads with photos starting at just $49/month when you sign up by April 2. Contact email@example.com for more information to join Freespace Dance (top), Slippery Rock University Dance (above), and others in sponsoring the Dance Insider & Arts Voyager, for two decades the leading voice for artists.
Tiago Rodrigues’s “Bovary,” based on the Flaubert novel and the legal process around it: Morality played out on paper and on the female body. Photograph of Alma Palacios by and copyright Pierre Grosbois and courtesy Theatre de la Bastille.
By Paul Ben-Itzak
Copyright 2016, 2018 Paul Ben-Itzak
“Bovary” is being reprised at the Theatre de la Bastille in Paris through March 28.
PARIS – What I love about Tiago Rodrigues, the director of the Portuguese National Theater who is “occupying” the Theatre de la Bastille for two months with three works, is that he defies the conventional wisdom that attracting contemporary audiences requires jettisoning the classical canon. Rodrigues understands that if an oeuvre like Gustave Flaubert’s “Madame Bovary” (whose original title was “Madame Bovary, or Provincial Morals”) has endured for 160 years, it’s because despite changing mores, its portrayal of societal turmoil (above all the conflict between individual comportment and predominant national values) is still pertinent. Even if today it’s not the loose morals of a married woman that are accused of threatening societal norms, as was the case with the story of Emma Bovary, but the custom of a small group of Muslim women to cover all or part of their bodies that is perceived by some as threatening the presumed norms of lay values, the battle terrain is the same: the woman’s body.
To receive the complete article, first published on May 29, 2016, subscribers please contact publisher Paul Ben-Itzak at firstname.lastname@example.org. Not a subscriber? Subscribe to the Dance Insider & Arts Voyager for just $29.95/year ($99 for institutions gets full access for all your teachers, students, dance company members, etc.) by designating your PayPal payment in that amount to email@example.com, or write us at that address to learn how to pay by check. Subscribers receive full access to the DI/AV Archive of 2,000 exclusive reviews by 150 leading critics of performances and art on five continents from 1998 through 2015. You can also purchase a complete copy of the Archives for just $49 (individuals) or $109 (institutions) Contact Paul at firstname.lastname@example.org. Sign up by March 9 and receive a FREE Home page photo ad.