Dance in a time of cholera: Roll over Tchaikovsky and tell him the Tulsa Ballet free streaming news

Tulsa Ma Cong Tchaikovsky 1Happy Birthday, Tchaikovsky: Has any industry, any business, any art form been hit in a more existential place than dance? As dancers, choreographers, teachers, and dance company directors continue to ponder the impact of the double-body blow the virus has dealt them — how to keep performing (and rehearsing, and holding classes in) an art form that often depends on (sweat-accompanied, breathing proximity) touch, to a live audience scrunched into a closed space — companies across the world are at least finding ways to stay connected to their audiences, in both the visceral and neo-technological senses. Streb — which certainly doesn’t need the publicity — is offering free online adult classes. And Tulsa Ballet has been offering its audience regular free streaming of work from the current repertory. “Recently we streamed ‘Tchaikovsky, the Man behind the Music,’ by Ma Cong,” company and school director Marcello Angelini told the DI. (Above.) “To my knowledge no American company has ever touched the subject of the life of this composer because he was gay. We did! The work was done sensibly, and is about the life of a gay man who eventually commits suicide because he can’t live his life the way he wants. Then we streamed a work by Andy Blankenbuehler, the choreographer of ‘Hamilton’.” Here’s to Tulsa, birthday-boy Tchaikovsky — who would be 180 years old today — and living your life the way you want to.

Back to the Future: How to access stories on the Dance Insider & Arts Voyager

Returning to its roots as a Direct E-mail List — as the most effective, efficient way to serve our subscribers, writers, advertisers, and readers — the DI will heretofore make all new content, as well as reprints from our 20-year archive of more than 2,000 exclusive reviews by 150 writers of performances on five continents, plus news, commentary, art, and the Jill Johnston Archive, available strictly by e-mail. To subscribe to the DI and access both this new content and archived stories, for just $29.95/year individuals or $49.95 institutions, just designate your PayPal payment in that amount to paulbenitzak@gmail.com, or write us at that address to find out about payment by check or in Euros. (In the latter case, the payments will be directed to our European correspondents.) You can also contact us at that address to find out about limited, well-integrated e-mail advertising options.

Stratospheric Dance

Tulsa re-post finalSoo Youn Cho and Alfonso Martin in Tulsa Ballet’s production of William Forsythe’s “In the Middle, Somewhat Elevated.” Photo copyright Rosalie O’Connor.

Copyright 2010, 2017 Alicia Chesser

TULSA — For the past 15 years, Tulsa Ballet artistic director Marcello Angelini has been leading his company to this moment, when it could not only obtain the rights to perform works like William Forsythe’s “In the Middle, Somewhat Elevated” and Jiri Kylian’s “Sechs Tanze,” but actually perform them with the skill, stamina, and artistic maturity they require.

It feels like a turning point.

To receive the rest of the article, first published on December 18, 2010, including more photos + a bonus story by Tulsa Ballet artistic director Marcello Angelini written exclusively for the Dance Insider,  subscribers please contact publisher Paul Ben-Itzak at paulbenitzak@gmail.com. Not a subscriber? Subscribe to the Dance Insider for just $29.95/year and receive full access to our Dance Insider Archive of 2,000 exclusive reviews by 150 leading dance critics of performances on five continents from 1998 through 2015. Just designate your PayPal payment to paulbenitzak@gmail.com, or write us at that address to find out about payment by check or in Euros. Just want this story? Donate $5 through PayPal to paulbenitzak@gmail.com then send an e-mail to that address with “Tulsa” in the subject line.