The DI, Year One: Dance Theater that dreams are made of from Needcompany, Ballet Frankfurt, and James Joyce

By Paul Ben-Itzak
Copyright 2000, 2017 Paul Ben-Itzak

PARIS — The main reason I love dance is its ability to dream, and to help me dream. It dreams every time a dancer leaps for the sky, and everytime she contracts her abdomen. It dreams when a lover instinctively clutches a partner and when the partner instinctively falls into the lover’s arms and is caught. It lives from image to image, with the flow of a dream; nothing seems pre-meditated, everything seems instinctual. As in a dream, the connections aren’t always logical, or even readily decipherable. But also like a dream, the images convey a tangible, not always describable, feeling. With “DeaDDogsDon’tDance,” which sold out three performances this weekend at the Theatre de la Ville – Sarah Bernhardt here, Needcompany and Ballet Frankfurt have upped the anti, creating a danced play that presents as totally unpremeditated. This is as rough and raw as it gets, folks — the stuff that dreams, and nightmares, are made of.

To receive the rest of the article, first published on November 6, 2000, subscribers can contact publisher Paul Ben-Itzak at paulbenitzak@gmail.com. Not a subscriber? Subscribe to the Dance Insider for just $29.95/year ($99 for institutions gets full access for all your teachers, students, dance company members, etc.) and receive full access to our Dance Insider Archive of 2,000 exclusive reviews by 150 leading dance critics of performances on five continents from 1998 through 2015, plus five years of the Jill Johnston Letter. Just designate your PayPal payment to paulbenitzak@gmail.com, or write us at that address to find out about payment by check or in Euros. You can also purchase a complete copy of the Archives for just $49 (individuals) or $129 (institutions) Purchase by May 31, 2017 and receive a second, free copy for the recipient of your choice. Contact Paul at paulbenitzak@gmail.com .

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Flash Flashback, 1-11: Shock Treatment Vandekeybus in Alaska with all the angry young men and women

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Ultima Vez in Wim Vandekeybus’s “nieuwZwart.” Photo © & courtesy Pieter-Jan De Pue.

By Paul Ben-Itzak
Copyright 2009, 2017 Paul Ben-Itzak

PARIS — At a certain point in Wim Vandekeybus’s “NieuwZwart,” seen in its French premiere Tuesday on Vandekeybus’s company Ultima Vez at the Theatre de la Ville – Sarah Bernhardt, I asked myself, to cop a line from my DI colleague Chris Dohse, “What are they so angry about?” A man violently throws another into the audience and laughs diabolically even as his victim grunts in evident pain. A woman straddles/strangles a man between her thighs. Another repeatedly knocks the white-suited narrator (Ultima Vez veteran Gavin Webber) on his side as he’s talking. Men or women repeatedly kick their colleagues when they’re down, usually adding contemptuous regards. And overall, the tenor of the physical contact between performers, particularly in the partner dancing, was of the genre regularly exhibited by European companies, in which the dancing seems more like dance-fighting, or if you prefer dance-wrestling, or at least dance-grappling.

I decided to just ask the choreographer, after the performance, “Where’s all the anger coming from?”

To get the rest of the article, first published on June 9, 2009, subscribers can contact publisher Paul Ben-Itzak at paulbenitzak@gmail.com. Not a subscriber? Subscribe to the Dance Insider for just $29.95/year ($99 for institutions gets full access for all your teachers, students, dance company members, etc.) and receive full access to our Dance Insider Archive of 2,000 exclusive reviews by 150 leading dance critics of performances on five continents from 1998 through 2015, as well as five years of the Jill Johnston Letter. To subscribe via PayPal, just designate your payment to paulbenitzak@gmail.com, or write us at that address to learn how to pay by check, Euros, or British pounds. You can also purchase a complete copy of the Archives for just $49 (individuals) or $129 (institutions). Purchase before January 15 and receive a second, free copy for the recipient of your choice. Contact Paul at paulbenitzak@gmail.com .