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By Maura Nguyen Donohue
Copyright 2000, 2017 Maura Nguyen Donohue
NEW YORK — Bill Shannon, a.k.a. Crutchmaster, is a challenge. He challenges the modern dance concert stage in Saturday night’s performance of “Old Rain,” seen at P.S. 122’s second floor theater, and challenges our notions of good Samaritans a little later Saturday night, now downstairs, in his “point and click” video presentation “Regarding the Fall.” He is a provocateur, and I happily admit I have been provoked into a heavy bout of thinkin.’ It’s a delight to again witness Shannon gliding across the stage, having first seen him at an improvisation concert a few years ago. The wings of his custom-designed crutches allow him to slow time and suspend motion midstream. Though “Old Rain” reveals a great amount of personal pain, Shannon still gives us bipeds, at least primarily bipeds, air time to envy. His hips are unable to support his torso due to a rare disease, but his legs work. Paired with the strength of his upper body and NoriCat’s rounded-edge crutches, he’s got the speed and grace of a gazelle.
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