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In the month before he threw himself off a building in Antibes on March 16, 1955, Nicolas de Stael churned out 350 paintings. And yet even if de Stael’s life had ended 11 years earlier, when he was just 30, he still would have shattered the art world with the oil “Astronomy – Composition,” painted on a 90 1/2 inch long, 40 1/2 inch tall slab of wood in Occupied Paris, the same year de Stael held his first major exhibition at Jeanne Bucher’s seminal abstract art gallery on the Boulevard Montparnasse. Looking at just a photo of this phenomenal, precise oeuvre — on sale in tonight’s Artcurial auction of Post-War and Contemporary Art in Paris — even makes one re-think the appellation “abstract,” which implies the opposite of “concrete” or, in the construct of the post-War battles for aesthetic hegemony, “figurative.” What one sees here, though, is a painting in which the observer’s universe figures into the calculation of the meaning. One can only hope that the State will calculate the oeuvre’s importance and pre-empt its sale. Artcurial pre-sale estimate: 700,000 – 1,200,000 Euros. Image courtesy and copyright Artcurial. — Paul Ben-Itzak