Back to the Future: How to access stories on the Dance Insider & Arts Voyager

Returning to its roots as a Direct E-mail List — as the most effective, efficient way to serve our subscribers, writers, advertisers, and readers — the DI will heretofore make all new content, as well as reprints from our 20-year archive of more than 2,000 exclusive reviews by 150 writers of performances on five continents, plus news, commentary, art, and the Jill Johnston Archive, available strictly by e-mail. To subscribe to the DI and access both this new content and archived stories, for just $29.95/year individuals or $49.95 institutions, just designate your PayPal payment in that amount to paulbenitzak@gmail.com, or write us at that address to find out about payment by check or in Euros. (In the latter case, the payments will be directed to our European correspondents.) You can also contact us at that address to find out about limited, well-integrated e-mail advertising options.

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“Stormy Weather” with La Dunham & friends at the Museum of Modern Art

dunham moma smallAmong the under-projected classics screening April 18 – 26 at the Museum of Modern Art for Making Faces on Film: A Collaboration with BFI Black Star is the 1943 all-star extravaganza “Stormy Weather,” featuring Lena Horne and Bill ‘Bojangles’ Robinson (above), Cab Calloway, Fats Waller, Dooley Wilson, the tap-flying Nicholas Brothers, Katherine Dunham and her Troupe, and just about every other major African-American performer of the epoch. Directed by Andrew L. Stone, the movie was meant to help the recruiting effort among African-Americans. The MoMA mini-festival celebrates the legacy of African-American artists working both within and outside the mainstream film industry. Image: Film Study Center Special Collections, The Museum of Modern Art.