By Paul Ben-Itzak
Copyright 2000, 2017 Paul Ben-Itzak
NEW YORK — The other day at the Children of Uganda performance, I saw something that I rarely see at the ballet: Black people. Not just on stage, but in the audience. Actually, the two are related. I believe the reason I rarely see black people at the ballet (with the exception of Dance Theatre of Harlem) is that there are so very few — and in the case of American Ballet Theatre, no — black people on stage. This is not meant to infer that black people just want to see black performers. Rather, when a company, such as ABT, is so lilly white, the message is that this is not a black-friendly environment. So it was refreshing Monday night to go to an event that indicates that another company, Pittsburgh Ballet Theater, is not just welcoming blacks into its house, but going to their house.
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