As 150 paintings, drawings, engravings, and other oeuvres by Marcel Gromaire (1892 – 1971) ride off into the sunset after successive exhibitions in Séte, Honfleur, and most recently la Piscine (Swimming Pool) in Roubaix, France — many of Gromaire’s explosions of color no doubt returning to languish in the sombre basement of the Modern Art Museum of the city of Paris, which apparently prefers exhibiting contemporary artists no one’s ever heard of to Modern artists more people should know about — we thought we’d give you two last, in our view appropriate for the particular juncture we’re living in the world and in France right now, perspectives from the versatile artist who was as at home writing comics for a satirical magazine as sketching his comrades in the trenches of “the Great War,” conceiving massive public murals and tapestries, penning the first book (in 1925) on painting and the infant art of cinema, illustrating a book of Charles Baudelaire’s “Spleen” poems (you can find it at the Art Institute of Chicago), or infusing buxom bare-breasted babes with splendiferous color, often in hues of bright green, gold, and red. And no matter the subject, Gromaire almost always made sure to include a splotch of sky in the background. ‘Scuse us while we kiss him (in good Franglais) ‘a bean toe’. Top: Marcel Gromaire, “Les bords de la Marne,” 1925. Oil on canvas. Musée d’art moderne de la Ville de Paris. Photo: Eric Emo et Stéphane Piera © ADAGP, Paris, 2019. Bottom: Marcel Gromaire, “|La Guerre,” 1925. Oil on canvas, 130 × 97 cm. Paris, Musée d’Art moderne de la Ville. Photo: Julien Vidal/Parisienne de Photographie. © ADAGP, Paris 2020.