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The Lutèce Diaries: A Post-modern American in Paris by Paul Ben-Itzak

December 12, 2018 by danceblogger

Protected: Cross Country / A Memoir of France, 8: Ghosts in the Machine or, Hallucinating in Montmartre

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This entry was posted in Aesthetic Theory, Albert Camus, American art magazines, American dance magazines, anarchist artists, André Breton, Andre Prevert, Antoine Doinel, Art, Art & Activism, Art & Resistance, Art and Politics, Art and War, Art as Resistance, Art ateliers in Paris, Art Contemporaine, Art Criticism, Art History, Art House films, Art Investment, Art Investment News, Artist Activism, Artists in Montmartre, Bateau Lavoir Montmartre, Blacks in Israel, Blaise Cendrars, Book Reviews, Boris Vian, Chaim Soutine, Charles Baudelaire, Charles Trenet, Chelsea, Chevalier de la Barre, Cinema, Claude Jade, Club Taboo, Contemporary Art, Critical Theory, critics, Cross-Country / A Memoir of France by Paul Ben-Itzak, Dance, Dance in France, Dance in Paris, Dance Insider Magazine, Dance Journalism, dance magazines, Dance Responses to September 11, 2001, Dance Reviews, Dance Reviews in French & English, Dance Scholarship, Dorothée, East Village Scene 1970s and 1980s, Eric Satie, Ernest Hemingway, F. Scott Fitzgerald, Film, Film criticism, Film critics, Flash Reviews in French & English, François Truffaut, France, France during the Occupation, France during the Occupation years, French art, French art magazine in English, French cinema, French Culture, French dance, French dance critics, French dance magazines, French Film Actresses, French Letters, French Literature, Gauthier, Gene Kelly American in Paris, Henri Toulouse-Lautrec, Immigrants, Jean Cocteau, Jean-Paul Sartre French writer, Jean-Pierre Leaud, Jews in France, Jews in Paris during the Occupation, Juliette Greco, Kiki de Montparnasse, La Chapelle Montpellier, Literary Criticism, Lou Reed, Malcolm McLaren, Malcolm McLaren Paris, Marcel Carné "Les portes de la nuit", Marie-France Pisier, Maurice Utrillo artist, Max Jacob, Migrants, Modern Art, Montmartre, Montparnasse art scene, Montparnasse art world in the 1920s, Montpellier Danse, Niki de Saint-Phalle, Paris, Paris art scene, Paris Dance Scene, Paris-based art magazine, Paris-based Dance Magazine, Paul Ben-Itzak, Robert Siodmak, Saint-Germain-des-Près, September 11, 2001, Surrealism, Suzanne Valadon artist, The Butoh Foundry, The Dance Insider, The Dance Insider Magazine, The Deportation, Theater, Theater criticism, Theater in Paris, Uncategorized, Vincent Van Gogh in Montmartre, Wayne Wang film "Smoke", Yves Montand. Bookmark the permalink.

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Pompidou expo re-unites Pablo Picasso & Deportée Surrealist Pal Max Jacob

How Maurice Utrillo, the painter bard of Montmartre, fell into the nostalgia trap

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