This week exclusively on the Dance Insider e-mail list: Anne-Charlotte Schoepfer writes about the Conservatoire National Supérieur de Musique et de Danse de Lyon’s Maison de la Danse performances of Stéphane Delatre’s “Her Body is a Cage,” excerpts from William Forsythe’s “The Vile Parody of Address,” and (above), conservatory director Davy Brun’s “LAK.” DI subscribers receive the entire review in French and in English, plus art. Not yet a DI subscriber? To subscribe to the DI and access both this new content and 2,000 archived stories by 150 writers covering 20 years of performances and art on five continents, plus five years of the Jill Johnston Letter, for just $39.95/year individuals or $69.95 institutions, just designate your PayPal payment in that amount to firstname.lastname@example.org, or write us at that address to find out about payment by check or in Euros. (In the latter case, the payments will be directed to our European correspondents.) You can also contact us at that address to find out about limited, well-integrated e-mail advertising options. Sarah Lowicki photograph courtesy CNSMD.
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Contact Paul Ben-Itzak at email@example.com. Paul Ben-Itzak was educated at San Francisco's Mission High School, the San Francisco Center for Theater Training, and Princeton University, where he studied with Robert Fagles, Joyce Carol Oates, Ellen Chances, and Lucinda Franks. Also at Princeton, he was founding managing editor of the Nassau Weekly and began contributing to the New York Times, Reuters, the Associated Press, Atlantic City Press, and many others, later writing for the Arts & Liesure section of the Times. As a San Francisco-based correspondent for Reuters, he was one of the first reporters to cover the AIDS crisis, also covering the arts, the tech sector, and the financial markets. In 1998, he co-founded the leading international arts journal The Dance Insider & Arts Voyager (http://www.danceinsider.com ) and, later, Art Investment News (http://www.artinvestmentnews.com). Paul has also worked as a DJ, children's theater teacher and playwright, and made his debut as an actor on the New York stage in 2011, playing Weston in Sam Shepard's "Curse of the Starving Class." To date, Paul has translated the sketches of Boris Vian, reviews of theater performances , French tourism sites, and research proposals and articles from CNRS and other researchers. His editing work includes dissertation level papers. View all posts by danceblogger