freespace performanceJersey Girls: One unfortunate fall-out of the outing of Hollywood mogul Harvey Weinstein for his alleged violent (please don’t call it sexual) misconduct against women is that, even as newly empowered victims, women are still being defined in relation to something men have perpetrated on them, as opposed to for their own intrinsic value and values as separate entities apart from ‘Adam.’ All the more reason to celebrate Friday’s performance at the Westminster Arts Center, 449 Franklin Avenue in Bloomfield, New Jersey (lovely this time of year) of “A Woman’s Movement,” a newly minted multi-media work by the acclaimed dancer and choreographer Donna Scro Samori for Freespace Dance, which she directs. I was first enthralled by Samori as the illuminated (by candle-light, or its semblance) alabaster angelic center of Murray Louis’s “Sinners All.” You may have thrilled at the balletic balance she gave to Peter Pucci’s “Hoops” or the pathos and precision (depending on the dance) with which she imbued and inhabited (and surely inspired) the choreography of Sean Curran for many years. Or simply been awed by her individual and collaborative creations with Freespace, which culls its grace from ballet, its inventiveness and earthiness from modern with a dash of Momix/Pilobolus (and a dose of various incarnations of Men Dancing when male ensembles are enlisted) thrown in, and its soul, spirit, and (where appropriate) serenity from Yoga. This time around, Samori will be creating collaborative art with 13 other female artists, which bodes well; taking nothing away from her individual work, presence as a solo performer or catalyzing effect on duet partners, I like to see what happens when she rebounds off other artists, of all genres. For more information, please click here.  And for tickets, click here. Photography by APJ and courtesy Freespace Dance. — PB-I

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