By Maura Nguyen Donohue
Copyright 2002, 2017 Maura Nguyen Donohue
NEW YORK — Stacy Dawson calls her first evening-length work, “Best Western,” a “hallucination that pays tribute to the legacies forged in the underbelly of country and western American folk music.” Like any good hallucination, the work, which played at PS 122 this past weekend, trips through moments of complete obscurity into flashes of incredible brilliance. It moves beyond the obvious Dawson staple of comedic lip-synching into a darker internal journey for denizens of a lonely and heart-broken realm. It’s her delirious homage to country music.
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