High tidings: Eloize takes a bath

By Angela Jones
Copyright 2005, 2017 Angela Jones

NEW YORK — I hate everything… generally. I’m a typical ex-modern-dancer-turned-downtown cynic who starts by looking for the predictable in every show. But Cirque Eloize’s “Rain,” seen June 23 at the New Victory Theater, where it continues through July 10, blew me out of the water (quite literally). It somehow managed to pull me in and hold my attention from start to finish by being charming, utterly surprising, engaging, evocative, humorous, playful, poignant, and aesthetically pleasing to boot.

All the performers are clearly seasoned and know their apparatuses inside and out. They also manage to build and develop their individual characters throughout, creating not only cohesion but also a piece with clear direction and intention, the likes of which most other circuses only aspire to. The beauty of “Rain” is also that even though we are taken on a journey, I couldn’t tell you exactly what the story is, but there is a sense of one. It takes place quite a while ago, in a place we can somehow all remember. Time and place are malleable — right when you think you know where something is about to go, it gets turned on its head, sometimes literally….

To receive the complete article, first published on June 30, 2005, subscribers please contact publisher Paul Ben-Itzak at paulbenitzak@gmail.com. Not a subscriber? Subscribe to the DI for just $29.95/year ($99 for institutions gets full access for all your teachers, students, dance company members, etc.) by designating your PayPal payment in that amount to paulbenitzak@gmail.com, or write us at that address to learn how to pay by check. Subscribers receive full access to the DI Archive of 2,000 exclusive reviews by 150 leading dance critics of performances on five continents from 1998 through 2015. You can also purchase a complete copy of the Archives for just $49 (individuals) or $129 (institutions) Contact Paul at paulbenitzak@@gmail.com . $99 if you purchase before October 15.

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