By Angela Jones
Copyright 2005, 2017 Angela Jones
NEW YORK — I hate everything… generally. I’m a typical ex-modern-dancer-turned-downtown cynic who starts by looking for the predictable in every show. But Cirque Eloize’s “Rain,” seen June 23 at the New Victory Theater, where it continues through July 10, blew me out of the water (quite literally). It somehow managed to pull me in and hold my attention from start to finish by being charming, utterly surprising, engaging, evocative, humorous, playful, poignant, and aesthetically pleasing to boot.
All the performers are clearly seasoned and know their apparatuses inside and out. They also manage to build and develop their individual characters throughout, creating not only cohesion but also a piece with clear direction and intention, the likes of which most other circuses only aspire to. The beauty of “Rain” is also that even though we are taken on a journey, I couldn’t tell you exactly what the story is, but there is a sense of one. It takes place quite a while ago, in a place we can somehow all remember. Time and place are malleable — right when you think you know where something is about to go, it gets turned on its head, sometimes literally….
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