By Paul Ben-Itzak
Copyright 2000, 2017 Paul Ben-Itzak
NEW YORK — Less heralded than the Bolshoi’s return to New York this summer, and yet no less a cause for rejoicing, is the return of veteran Buffy Miller to Eliot Feld’s Ballet Tech, particularly in her patented virtuoso turn, “Ion,” to the music of Steve Reich. If you want to know what it feels and looks like to be inside the music, you’ve got to see Buffy Miller in this Feld dance, as I was blessed to be able to do last night at the Joyce. “This is the best dance I’ve ever seen,” said my companion, and I’d have to put this artist at the top as well. Miller’s feat here rivals not only that of fellow Reich interpreter Anna Teresa De Keersmaeker, but, I can imagine, that of the first ballerina who ever used her awareness of body and hyper-awareness of music to enter another plane and take us there with her. I reference De Keersmaeker because, like that choreographer dancing to Reich in “Fase” Miller’s physical gifts take on a supernatural dimension. She seems to be doing things no ordinary human would find possible, and with this physical magic transcends the corporeal and becomes an element — an ion — in the music.
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