By Tara Zahra
Copyright 2000 Tara Zahra
VIENNA — I have seen plenty of Balanchine in my time, and quite a bit of William Forsythe. But through the juxtaposition of the two, brilliantly executed by the Paris Opera Ballet at the Vienna State Opera House Saturday, I learned a few things about both. Balanchine and Forsythe exposed each other, through a conversation full of rebellions and homages and calm replies. And yet it could not be considered an argument, because in the end the range of works presented affirmed the fungible potential of classical technique — to express the spirit of a time, to be used as the language for an argument or an agreement, to swing from high culture to low, even when the choreography is ostensibly only “about” choreography, music, and technique itself.
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