New York City Ballet in Jerome Robbins’s “Dances at a Gathering.” Photo ©Paul Kolnik and courtesy NYCB.
Girl with a Black Mask in a Red Room,” 2005. Acrylic on canvas in handmade metal frame. By and ©Jo Ellen Van Ouwerkerk, courtesy Woodward Gallery, New York.
Copyright 2011, 2017 Paul Ben-Itzak
NEW YORK — After a temporary blip in my bludgeoning, er, burgeoning French theatrical career Friday night — Sam Bernhardt, c’est moi — I was glad to be back in the cultural thick of things Saturday, finding myself sitting next to Meredith Monk at Judson Church on Washington Square for the afternoon’s Gathering in Tribute to (late DI contributor) Jill Johnston, a genuine gathering of the tribes, and School of American Ballet legend Suki Schorer Saturday night for an impeccable “Dances at a Gathering.” Add a Lower East Side interlude at the Woodward Gallery on Eldridge Street, where painter Jo Ellen Van Ouwerkerk not only made the scene but made her own frames, and there was once more reason to believe that New York is still a many-splendored helluva town and art capital, with a rich past and cause to be confident in its future.
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