rosas-finalCynthia Loemij, left, and Tale Dolven of Rosas in Anne Teresa De Keersmaeker’s “Piano Phase.” Herman Sorgeloos photo copyright Herman Sorgeloos and courtesy Rosas and Theatre de la Ville.

Copyright 2007, 2016 Paul Ben-Itzak

Originally published May 3, 2007. Sponsored by Slippery Rock University Dance and Donna Scro Samori / Freespace Dance.

PARIS — There are certain dances that, simply put, justify Dance. Anne Teresa De Keersmaeker’s 1982 “Fase,” an excerpt of which ATDK’s company Rosas performed in last night’s Theatre de la Ville – Sarah Bernhardt opening of an all Steve Reich program, is one of those landmark works.

To get the rest of the article, subscribers can contact publisher Paul Ben-Itzak at Not a subscriber? Complete articles are $5 or three for $10. Subscribe to the Dance Insider for just $29.95/year ($119 for institutions gets full access for all your teachers, students, dance company members, etc.) and receive full access to our Dance Insider Archive of 2,000 exclusive reviews by 150 leading dance critics of performances on five continents from 1998 through 2015 — including reviews of the work of Rosas and De Keersmaeker from New York, Paris, London, San Francisco, Brussels, Antwerp, and Vienna. You can also purchase a complete copy of the Archives for just $49 (individuals) or $129 (institutions) Contact Paul at .

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